Bach Bibliography Search Result

Series : ^[p]BICB_Belfast$
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Some Observations on Bach's Organ Sonatas.	[p]BICB_Belfast			Jul 2010
	2.	Improvisation Practices in Bach's Instrumental Music.	[p]BICB_Belfast			Jul 2010
	3.	Field Marshall Jakob Heinrich Flemming (1667-1728) and his musical patronage.	[p]BICB_Belfast			Jul 2010
	4.	'Meticulous, fine work' or 'reflection of a great school'? -- Wilhelm Friedemann Bach and the protestant church cantata after 1750.	[p]BICB_Belfast			Jul 2010
	5.	The Baroque and Lutheran Views of the World Embodied in Bach's Cantata 'Was frag ich nach der Welt' (BWV 94).	[p]BICB_Belfast			Jul 2010
	6.	The Fourteen Canons: Foundation or Culmination? A re-evaluation of their position amongst Bach's late works.	[p]BICB_Belfast			Jul 2010
	7.	The copies of the Well-tempered Clavier by J.S.Albrechtsberger: to his Bachiana.	[p]BICB_Belfast			Jul 2010
	8.	Ars combinatoria in a Bach Passion Chorus.	[p]BICB_Belfast			Jul 2010
	9.	Music in Published Books of Emblems.	[p]BICB_Belfast			Jul 2010
	10.	Bach as a master of the Musica Poetica. A rhetorical approach to the Well-Tempered Clavier (Book I): proposition of a formal model.	[p]BICB_Belfast			Jul 2010
	11.	Secular music performances in the Leipzig 1740s.	[p]BICB_Belfast			Jul 2010
	12.	Inner Time, Outer Time and 'Da Capo' Form. Structure and meaning in J.S. Bach's E major violin concerto (BWV 1042).	[p]BICB_Belfast			Jul 2010
	13.	New Light on the Controversy between Bach and Scheibe and music life in Leipzig during the late 1730s.	[p]BICB_Belfast			Jul 2010
	14.	The Bachs in Berlin: The Courts of Brandenburg-Prussia as a Background to Instrumental Works of J. S., W. F., and C. P. E. Bach.	[p]BICB_Belfast			Jul 2010
	15.	Virtuosos or charlatans? Musical talent and social mobility in the German Baroque.	[p]BICB_Belfast			Jul 2010
	16.	Coffee, Courtship and Counterpoint in Bach's Leipzig: The 'Goldberg Variations' and Women's Clavier Books.	[p]BICB_Belfast			Jul 2010
	17.	Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's Musical Training.	[p]BICB_Belfast			Jul 2010
	18.	Texte zur Music by J. S. Bach and his Contemporaries: J. A. Za³uski and his Role in their Preservation.	[p]BICB_Belfast			Jul 2010
	19.	The Goblet of Anise: A Case Study.	[p]BICB_Belfast			Jul 2010
	20.	Quantitative Properties of Invertible Counterpoints in Compositions by Johann Sebastian Bach.	[p]BICB_Belfast			Jul 2010
	21.	Bach's Cantata Performances in the 1730s -- New Findings, New Perspectives.	[p]BICB_Belfast			Jul 2010
	22.	The Crucifixus from Bach's B-minor Mass: The Reflection of the Work in Performance.	[p]BICB_Belfast			Jul 2010
	23.	Bach was not the First--a Violoncello for Francesco II d'Este, Duke of Modena.	[p]BICB_Belfast			Jul 2010
	24.	A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio.	[p]BICB_Belfast			Jul 2010
	25.	'Dresden ditties' and the feminised galant.	[p]BICB_Belfast			Jul 2010
	26.	'eine cantable Art im Spielen zu erlangen': some considerations on spiritual praxis in J.S. Bach's pedagogical collections.	[p]BICB_Belfast			Jul 2010
	27.	Off the Beaten Track: An Exploration of Bach Reception in Catholic Central Europe.	[p]BICB_Belfast			Jul 2010
	28.	Four part Chorales of Johann Sebastian Bach's lost sacred cantatas from Picander Jahrgang.	[p]BICB_Belfast			Jul 2010
	29.	On the Aesthetics of Perfidia.	[p]BICB_Belfast			Jul 2010
	30.	'Buß und Reu': a symbol of female sinfulness in Bach's St Matthew Passion?	[p]BICB_Belfast			Jul 2010
	31.	An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works.	[p]BICB_Belfast			Jul 2010
	32.	Some 'New' Bach Documents in Eighteenth-Century Printed Sources.	[p]BICB_Belfast			Jul 2010
	33.	Blinding Us with Science? Man, Machine, and the Mass in B Minor.	[p]BICB_Belfast			Jul 2010
	34.	Emblems in Published Books of Music.	[p]BICB_Belfast			Jul 2010
	35.	The Permutation Fugue and Johann Sebastian Bach's Compositional Development.	[p]BICB_Belfast			Jul 2010
	36.	The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication.	[p]BICB_Belfast			Jul 2010
	37.	Significant Occurrence in Even Musical Texture in Bach's Preludes. A Study Using Mathematical Tools.	[p]BICB_Belfast			Jul 2010
	38.	'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice.	[p]BICB_Belfast			Jul 2010
	39.	Chorton and Kammerton in the Actus Tragicus: A Performance Practice Perspective.	[p]BICB_Belfast			Jul 2010